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Euphoria Holds a Mirror to Our Unrealities
Euphoria Holds a Mirror to Our Unrealities
Photography
Ela Klingler
Fashion
Franka Rosa Maria Klaproth
Creative Director
Franka Rosa Maria Klaproth
Talent
Vera Gundlach
Hair and Makeup
Rebecca Schmitz
Nails
Deborah C. Przewosnik
Fashion Assistant
Maxine Schall
Lighting Assistant
Camilo Zamora Ortiz
Euphoria Holds a Mirror to Our Unrealities
Euphoria Holds a Mirror to Our Unrealities
Photography
Ela Klingler
Fashion
Franka Rosa Maria Klaproth
Creative Director
Franka Rosa Maria Klaproth
Talent
Vera Gundlach
Hair and Makeup
Rebecca Schmitz
Nails
Deborah C. Przewosnik
Fashion Assistant
Maxine Schall
Lighting Assistant
Camilo Zamora Ortiz
Euphoria Holds a Mirror to Our Unrealities
Euphoria Holds a Mirror to Our Unrealities
Photography
Ela Klingler
Fashion
Franka Rosa Maria Klaproth
Creative Director
Franka Rosa Maria Klaproth
Talent
Vera Gundlach
Hair and Makeup
Rebecca Schmitz
Nails
Deborah C. Przewosnik
Fashion Assistant
Maxine Schall
Lighting Assistant
Camilo Zamora Ortiz
Euphoria Holds a Mirror to Our Unrealities
Euphoria Holds a Mirror to Our Unrealities
Photography
Ela Klingler
Fashion
Franka Rosa Maria Klaproth
Creative Director
Franka Rosa Maria Klaproth
Talent
Vera Gundlach
Hair and Makeup
Rebecca Schmitz
Nails
Deborah C. Przewosnik
Fashion Assistant
Maxine Schall
Lighting Assistant
Camilo Zamora Ortiz
Euphoria Holds a Mirror to Our Unrealities
Euphoria Holds a Mirror to Our Unrealities
Photography
Ela Klingler
Fashion
Franka Rosa Maria Klaproth
Creative Director
Franka Rosa Maria Klaproth
Talent
Vera Gundlach
Hair and Makeup
Rebecca Schmitz
Nails
Deborah C. Przewosnik
Fashion Assistant
Maxine Schall
Lighting Assistant
Camilo Zamora Ortiz
Euphoria Holds a Mirror to Our Unrealities
Euphoria Holds a Mirror to Our Unrealities
Photography
Ela Klingler
Fashion
Franka Rosa Maria Klaproth
Creative Director
Franka Rosa Maria Klaproth
Talent
Vera Gundlach
Hair and Makeup
Rebecca Schmitz
Nails
Deborah C. Przewosnik
Fashion Assistant
Maxine Schall
Lighting Assistant
Camilo Zamora Ortiz
Euphoria Holds a Mirror to Our Unrealities
Euphoria Holds a Mirror to Our Unrealities
Photography
Ela Klingler
Fashion
Franka Rosa Maria Klaproth
Creative Director
Franka Rosa Maria Klaproth
Talent
Vera Gundlach
Hair and Makeup
Rebecca Schmitz
Nails
Deborah C. Przewosnik
Fashion Assistant
Maxine Schall
Lighting Assistant
Camilo Zamora Ortiz
Euphoria Holds a Mirror to Our Unrealities
Euphoria Holds a Mirror to Our Unrealities
Photography
Ela Klingler
Fashion
Franka Rosa Maria Klaproth
Creative Director
Franka Rosa Maria Klaproth
Talent
Vera Gundlach
Hair and Makeup
Rebecca Schmitz
Nails
Deborah C. Przewosnik
Fashion Assistant
Maxine Schall
Lighting Assistant
Camilo Zamora Ortiz
Euphoria Holds a Mirror to Our Unrealities
Euphoria Holds a Mirror to Our Unrealities
Photography
Ela Klingler
Fashion
Franka Rosa Maria Klaproth
Creative Director
Franka Rosa Maria Klaproth
Talent
Vera Gundlach
Hair and Makeup
Rebecca Schmitz
Nails
Deborah C. Przewosnik
Fashion Assistant
Maxine Schall
Lighting Assistant
Camilo Zamora Ortiz
Euphoria Holds a Mirror to Our Unrealities
Euphoria Holds a Mirror to Our Unrealities
Photography
Ela Klingler
Fashion
Franka Rosa Maria Klaproth
Creative Director
Franka Rosa Maria Klaproth
Talent
Vera Gundlach
Hair and Makeup
Rebecca Schmitz
Nails
Deborah C. Przewosnik
Fashion Assistant
Maxine Schall
Lighting Assistant
Camilo Zamora Ortiz
Euphoria Holds a Mirror to Our Unrealities
Euphoria Holds a Mirror to Our Unrealities
Photography
Ela Klingler
Fashion
Franka Rosa Maria Klaproth
Creative Director
Franka Rosa Maria Klaproth
Talent
Vera Gundlach
Hair and Makeup
Rebecca Schmitz
Nails
Deborah C. Przewosnik
Fashion Assistant
Maxine Schall
Lighting Assistant
Camilo Zamora Ortiz
Euphoria Holds a Mirror to Our Unrealities
Euphoria Holds a Mirror to Our Unrealities
Photography
Ela Klingler
Fashion
Franka Rosa Maria Klaproth
Creative Director
Franka Rosa Maria Klaproth
Talent
Vera Gundlach
Hair and Makeup
Rebecca Schmitz
Nails
Deborah C. Przewosnik
Fashion Assistant
Maxine Schall
Lighting Assistant
Camilo Zamora Ortiz
Ultrace: “A car is an object of applied art”
Ultrace: “A car is an object of applied art”
Text
Julia Kraeplin
Ultrace: “A car is an object of applied art”
Ultrace: “A car is an object of applied art”
Text
Julia Kraeplin
Ultrace: “A car is an object of applied art”
Ultrace: “A car is an object of applied art”
Text
Julia Kraeplin
Ultrace: “A car is an object of applied art”
Ultrace: “A car is an object of applied art”
Text
Julia Kraeplin
Ultrace: “A car is an object of applied art”
Ultrace: “A car is an object of applied art”
Text
Julia Kraeplin
Ultrace: “A car is an object of applied art”
Ultrace: “A car is an object of applied art”
Text
Julia Kraeplin
Ultrace: “A car is an object of applied art”
Ultrace: “A car is an object of applied art”
Text
Julia Kraeplin
The perfect likeness and its unstoppable mechanism. © 1977 Ulrike Ottinger. Madame X: An Absolute Ruler / Germany, 1977 / Photo: Ulrike Ottinger © Ulrike Ottinger
Fantasies of Blood: Ulrike Ottinger and Isabelle Huppert

The perfect likeness and its unstoppable mechanism. © 1977 Ulrike Ottinger. Madame X: An Absolute Ruler / Germany, 1977 / Photo: Ulrike Ottinger © Ulrike Ottinger

Text
Phillip Pyle
The messenger of the Inquisition. 1981 © Ulrike Ottinger. Freak Orlando / Berlin, 1981 / Foto: Ulrike Ottinger © Ulrike Ottinger.
Fantasies of Blood: Ulrike Ottinger and Isabelle Huppert

The messenger of the Inquisition. 1981 © Ulrike Ottinger. Freak Orlando / Berlin, 1981 / Foto: Ulrike Ottinger © Ulrike Ottinger.

Text
Phillip Pyle
Opera: Blind Infant, to whom the Princess of the Blessed Isles gives a travel guide. Tabea Blumenschein, Veruschka von Lehndorff. Fuerteventura (Canary Islands), 1983 © Ulrike Ottinger. Dorian Gray in the Mirror of the Yellow Press / Germany, 1984 / Ulrike Ottinger © Ulrike Ottinger.
Fantasies of Blood: Ulrike Ottinger and Isabelle Huppert

Opera: Blind Infant, to whom the Princess of the Blessed Isles gives a travel guide. Tabea Blumenschein, Veruschka von Lehndorff. Fuerteventura (Canary Islands), 1983 © Ulrike Ottinger. Dorian Gray in the Mirror of the Yellow Press / Germany, 1984 / Ulrike Ottinger © Ulrike Ottinger.

Text
Phillip Pyle
Isabelle Huppert in Mary Said What She Said by Robert Wilson. Photo: Lucie Jansch.
Fantasies of Blood: Ulrike Ottinger and Isabelle Huppert

Isabelle Huppert in Mary Said What She Said by Robert Wilson. Photo: Lucie Jansch.

Text
Phillip Pyle
Ulrike Ottinger, 2010, Photo: Anne Selders
Fantasies of Blood: Ulrike Ottinger and Isabelle Huppert

Ulrike Ottinger, 2010, Photo: Anne Selders

Text
Phillip Pyle
Benoît Magimel and Isabelle Huppert in The Piano Teacher by Michael Haneke, 2001. Courtesy of Belinale.de.
Fantasies of Blood: Ulrike Ottinger and Isabelle Huppert

Benoît Magimel and Isabelle Huppert in The Piano Teacher by Michael Haneke, 2001. Courtesy of Belinale.de.

Text
Phillip Pyle
Roni Horn, Portrait of an Image, 2013.
Fantasies of Blood: Ulrike Ottinger and Isabelle Huppert

Roni Horn, Portrait of an Image, 2013.

Text
Phillip Pyle
Clara S by Elfriede Jelinek / Staging and Stage Design: Ulrike Ottinger, Production: Stuttgart State Theatre. Premiere: May 3, 1983 / Further venues: Munich Theatre Festival, Avignon Theatre Festival.
Fantasies of Blood: Ulrike Ottinger and Isabelle Huppert

Clara S by Elfriede Jelinek / Staging and Stage Design: Ulrike Ottinger, Production: Stuttgart State Theatre. Premiere: May 3, 1983 / Further venues: Munich Theatre Festival, Avignon Theatre Festival.

Text
Phillip Pyle
During the first four days of January 2025, portraits of Isabelle Huppert, taken by Roni Horn as part of her Portrait of an Image (with Isabelle Huppert) series from 2004, replaced advertisements on all digital billboards in Reykjavik. Photo courtesy of Y Gallery.
Fantasies of Blood: Ulrike Ottinger and Isabelle Huppert

During the first four days of January 2025, portraits of Isabelle Huppert, taken by Roni Horn as part of her Portrait of an Image (with Isabelle Huppert) series from 2004, replaced advertisements on all digital billboards in Reykjavik. Photo courtesy of Y Gallery.

Text
Phillip Pyle
Isabelle Huppert in The Piano Teacher by Michael Haneke, 2001. Courtesy of criterion.com.
Fantasies of Blood: Ulrike Ottinger and Isabelle Huppert

Isabelle Huppert in The Piano Teacher by Michael Haneke, 2001. Courtesy of criterion.com.

Text
Phillip Pyle
Fantasies of Blood: Ulrike Ottinger and Isabelle Huppert
Fantasies of Blood: Ulrike Ottinger and Isabelle Huppert
Text
Phillip Pyle
Jacobs Pilger. Magdalena Montezuma, Dephine Seyrig. 1981 © Ulrike Ottinger. Freak Orlando / Berlin, 1981 / Photo: Ulrike Ottinger © Ulrike Ottinger.
Fantasies of Blood: Ulrike Ottinger and Isabelle Huppert

Jacobs Pilger. Magdalena Montezuma, Dephine Seyrig. 1981 © Ulrike Ottinger. Freak Orlando / Berlin, 1981 / Photo: Ulrike Ottinger © Ulrike Ottinger.

Text
Phillip Pyle
Look from Alexander McQueen Spring/Summer 2003, Courtesy of style.com
Jonathan Saunders: “Aspiration is great, snobbishness isn’t”

Look from Alexander McQueen Spring/Summer 2003, Courtesy of style.com

Text
Franka Rosa Maria Klaproth
Courtesy of & Other Stories
Jonathan Saunders: “Aspiration is great, snobbishness isn’t”

Courtesy of & Other Stories

Text
Franka Rosa Maria Klaproth
Jonathan Saunders: “Aspiration is great, snobbishness isn’t”
Jonathan Saunders: “Aspiration is great, snobbishness isn’t”
Text
Franka Rosa Maria Klaproth
Courtesy of & Other Stories
Jonathan Saunders: “Aspiration is great, snobbishness isn’t”

Courtesy of & Other Stories

Text
Franka Rosa Maria Klaproth
Courtesy of & Other Stories
Jonathan Saunders: “Aspiration is great, snobbishness isn’t”

Courtesy of & Other Stories

Text
Franka Rosa Maria Klaproth
Courtesy of & Other Stories
Jonathan Saunders: “Aspiration is great, snobbishness isn’t”

Courtesy of & Other Stories

Text
Franka Rosa Maria Klaproth
Courtesy of Jonathan Saunders
Jonathan Saunders: “Aspiration is great, snobbishness isn’t”

Courtesy of Jonathan Saunders

Text
Franka Rosa Maria Klaproth
Courtesy of & Other Stories
Jonathan Saunders: “Aspiration is great, snobbishness isn’t”

Courtesy of & Other Stories

Text
Franka Rosa Maria Klaproth
Courtesy of & Other Stories
Jonathan Saunders: “Aspiration is great, snobbishness isn’t”

Courtesy of & Other Stories

Text
Franka Rosa Maria Klaproth
Chxrry’s Hall of Fame
Chxrry’s Hall of Fame
Text
Sahir Ahmed
Photography and Video Stills
Jasmine Johnson
Production
Nicole Ghalili
Choreography
Mariah Jasmine
Hair and Makeup
Marla
Chxrry’s Hall of Fame
Chxrry’s Hall of Fame
Text
Sahir Ahmed
Photography and Video Stills
Jasmine Johnson
Production
Nicole Ghalili
Choreography
Mariah Jasmine
Hair and Makeup
Marla
Chxrry’s Hall of Fame
Chxrry’s Hall of Fame
Text
Sahir Ahmed
Photography and Video Stills
Jasmine Johnson
Production
Nicole Ghalili
Choreography
Mariah Jasmine
Hair and Makeup
Marla
Chxrry’s Hall of Fame
Chxrry’s Hall of Fame
Text
Sahir Ahmed
Photography and Video Stills
Jasmine Johnson
Production
Nicole Ghalili
Choreography
Mariah Jasmine
Hair and Makeup
Marla
Chxrry’s Hall of Fame
Chxrry’s Hall of Fame
Text
Sahir Ahmed
Photography and Video Stills
Jasmine Johnson
Production
Nicole Ghalili
Choreography
Mariah Jasmine
Hair and Makeup
Marla
Chxrry’s Hall of Fame
Chxrry’s Hall of Fame
Text
Sahir Ahmed
Photography and Video Stills
Jasmine Johnson
Production
Nicole Ghalili
Choreography
Mariah Jasmine
Hair and Makeup
Marla
Chxrry’s Hall of Fame
Chxrry’s Hall of Fame
Text
Sahir Ahmed
Photography and Video Stills
Jasmine Johnson
Production
Nicole Ghalili
Choreography
Mariah Jasmine
Hair and Makeup
Marla
Chxrry’s Hall of Fame
Chxrry’s Hall of Fame
Text
Sahir Ahmed
Photography and Video Stills
Jasmine Johnson
Production
Nicole Ghalili
Choreography
Mariah Jasmine
Hair and Makeup
Marla
Everything Still Counts
Everything Still Counts
Photography
Alma Leandra
Fashion
Ras Bartram
Talent
Janne Berg
Hair and Makeup
Ilya Fesenko
Photography Assistant
Georg Ander
Photography Assistant
Johann Kolhoff
Fashion Assistant
Franka Rosa Maria Klaproth
Everything Still Counts
Everything Still Counts
Photography
Alma Leandra
Fashion
Ras Bartram
Talent
Janne Berg
Hair and Makeup
Ilya Fesenko
Photography Assistant
Georg Ander
Photography Assistant
Johann Kolhoff
Fashion Assistant
Franka Rosa Maria Klaproth
Everything Still Counts
Everything Still Counts
Photography
Alma Leandra
Fashion
Ras Bartram
Talent
Janne Berg
Hair and Makeup
Ilya Fesenko
Photography Assistant
Georg Ander
Photography Assistant
Johann Kolhoff
Fashion Assistant
Franka Rosa Maria Klaproth
Everything Still Counts
Everything Still Counts
Photography
Alma Leandra
Fashion
Ras Bartram
Talent
Janne Berg
Hair and Makeup
Ilya Fesenko
Photography Assistant
Georg Ander
Photography Assistant
Johann Kolhoff
Fashion Assistant
Franka Rosa Maria Klaproth
Everything Still Counts
Everything Still Counts
Photography
Alma Leandra
Fashion
Ras Bartram
Talent
Janne Berg
Hair and Makeup
Ilya Fesenko
Photography Assistant
Georg Ander
Photography Assistant
Johann Kolhoff
Fashion Assistant
Franka Rosa Maria Klaproth
Everything Still Counts
Everything Still Counts
Photography
Alma Leandra
Fashion
Ras Bartram
Talent
Janne Berg
Hair and Makeup
Ilya Fesenko
Photography Assistant
Georg Ander
Photography Assistant
Johann Kolhoff
Fashion Assistant
Franka Rosa Maria Klaproth
Everything Still Counts
Everything Still Counts
Photography
Alma Leandra
Fashion
Ras Bartram
Talent
Janne Berg
Hair and Makeup
Ilya Fesenko
Photography Assistant
Georg Ander
Photography Assistant
Johann Kolhoff
Fashion Assistant
Franka Rosa Maria Klaproth
Everything Still Counts
Everything Still Counts
Photography
Alma Leandra
Fashion
Ras Bartram
Talent
Janne Berg
Hair and Makeup
Ilya Fesenko
Photography Assistant
Georg Ander
Photography Assistant
Johann Kolhoff
Fashion Assistant
Franka Rosa Maria Klaproth
Everything Still Counts
Everything Still Counts
Photography
Alma Leandra
Fashion
Ras Bartram
Talent
Janne Berg
Hair and Makeup
Ilya Fesenko
Photography Assistant
Georg Ander
Photography Assistant
Johann Kolhoff
Fashion Assistant
Franka Rosa Maria Klaproth
Christelle Oyiri: “All life comes from rupture”
Christelle Oyiri: “All life comes from rupture”
Text
Phillip Pyle
Christelle Oyiri and Neva Wireko, Hauntology of an OG (still), 2025. Courtesy the artists; Amant, Brooklyn, NY; LAS Art Foundation, Berlin; and Pinault Collection, Paris.
Christelle Oyiri: “All life comes from rupture”

Christelle Oyiri and Neva Wireko, Hauntology of an OG (still), 2025. Courtesy the artists; Amant, Brooklyn, NY; LAS Art Foundation, Berlin; and Pinault Collection, Paris.

Text
Phillip Pyle
Christelle Oyiri and Neva Wireko, Hauntology of an OG (still), 2025. Courtesy the artists; Amant, Brooklyn, NY; LAS Art Foundation, Berlin; and Pinault Collection, Paris.
Christelle Oyiri: “All life comes from rupture”

Christelle Oyiri and Neva Wireko, Hauntology of an OG (still), 2025. Courtesy the artists; Amant, Brooklyn, NY; LAS Art Foundation, Berlin; and Pinault Collection, Paris.

Text
Phillip Pyle