The perfect likeness and its unstoppable mechanism. © 1977 Ulrike Ottinger. Madame X: An Absolute Ruler / Germany, 1977 / Photo: Ulrike Ottinger © Ulrike Ottinger
The messenger of the Inquisition. 1981 © Ulrike Ottinger. Freak Orlando / Berlin, 1981 / Foto: Ulrike Ottinger © Ulrike Ottinger.
Opera: Blind Infant, to whom the Princess of the Blessed Isles gives a travel guide. Tabea Blumenschein, Veruschka von Lehndorff. Fuerteventura (Canary Islands), 1983 © Ulrike Ottinger. Dorian Gray in the Mirror of the Yellow Press / Germany, 1984 / Ulrike Ottinger © Ulrike Ottinger.
Isabelle Huppert in Mary Said What She Said by Robert Wilson. Photo: Lucie Jansch.
Ulrike Ottinger, 2010, Photo: Anne Selders
Benoît Magimel and Isabelle Huppert in The Piano Teacher by Michael Haneke, 2001. Courtesy of Belinale.de.
Roni Horn, Portrait of an Image, 2013.
Clara S by Elfriede Jelinek / Staging and Stage Design: Ulrike Ottinger, Production: Stuttgart State Theatre. Premiere: May 3, 1983 / Further venues: Munich Theatre Festival, Avignon Theatre Festival.
During the first four days of January 2025, portraits of Isabelle Huppert, taken by Roni Horn as part of her Portrait of an Image (with Isabelle Huppert) series from 2004, replaced advertisements on all digital billboards in Reykjavik. Photo courtesy of Y Gallery.
Isabelle Huppert in The Piano Teacher by Michael Haneke, 2001. Courtesy of criterion.com.
Jacobs Pilger. Magdalena Montezuma, Dephine Seyrig. 1981 © Ulrike Ottinger. Freak Orlando / Berlin, 1981 / Photo: Ulrike Ottinger © Ulrike Ottinger.
Look from Alexander McQueen Spring/Summer 2003, Courtesy of style.com
Courtesy of & Other Stories
Courtesy of & Other Stories
Courtesy of & Other Stories
Courtesy of & Other Stories
Courtesy of Jonathan Saunders
Courtesy of & Other Stories
Courtesy of & Other Stories
Christelle Oyiri and Neva Wireko, Hauntology of an OG (still), 2025. Courtesy the artists; Amant, Brooklyn, NY; LAS Art Foundation, Berlin; and Pinault Collection, Paris.
Christelle Oyiri and Neva Wireko, Hauntology of an OG (still), 2025. Courtesy the artists; Amant, Brooklyn, NY; LAS Art Foundation, Berlin; and Pinault Collection, Paris.