Portrait of underscores by Bailey Krawczyk
Portrait of underscores by Bailey Krawczyk
Portrait of underscores by Bailey Krawczyk
Portrait of underscores by Bailey Krawczyk
Portrait of underscores by Bailey Krawczyk
Anna Kuen, dressed in 032c Readytowear
Benny O. Arthur, dressed in 032c Readytowear
Anna Kuen, Photo: Tina Khuntsaria
Benji Krol, dressed in 032c Readytowear, Photo: Tina Khuntsaria
Canal Street Research Association’s first office at 327 Canal Street included a Timeline/Landscape of photos of every building on the block that ran around the perimeter of the room, and onto which visitors were invited to inscribe their notes directly onto the wall. Photo by Daniel Terna. Courtesy the artist.
Install shot of Timeless , made in collaboration with Solveig Suess and commissioned by the 11th Göteborg International Biennial for Contemporary Art (GIBCA). Timeless explores the relationship between counterfeit, trade, and the haunted web of stolen power in Shakespeare’s Hamlet . Photo by Hendrik Zeitler.
Poster for Canal Street Research Association’s Window Cinema series, in which they screened multiple versions of Hamlet onto the window of their storefront for neighbors and passersby, including excerpts of recorded rehearsals of Jack Smith’s Hamlet in the Rented World . Photo by Constanza Valenzuela. Courtesy the artist.
Detail of Notes Towards a Proposal for Ragpickers Court, including framed shoddy and aluminum beverage can . Photo by Sidian Liu. Courtesy the artist.
Detail of Canal Street Research Association’s Timeline/Landscape . Photo by Daniel Terna. Courtesy the artist.
Installation view of “New Land Plaza: You Can’t Beat a New York Original” at Storefront for Art & Architecture, which explored the history and contemporary conditions of the Counterfeit Triangle. Photo by PJ Rountree. Courtesy Storefront for Art & Architecture.